[cma-l] Histories, Theories and Practices of Sound Art,Goldsmiths, May 15 and 16, 2014; The Courtauld Institute of Art May 17, 2014.

[Tamar Millen]

Histories, Theories and Practices of Sound Art
Goldsmiths, May 15 and 16, 2014; The Courtauld Institute of Art May 17, 
2014.

Traditionally, the curator has been affiliated to the modern museum as 
the persona who manages an archive, and arranges and communicates 
knowledge to an audience, according to fields of expertise (art, 
archaeology, cultural or natural history etc.). However, in the later 
part of the 20th century the role of the curator changes – first on the 
art-scene and later in other more traditional institutions – into a more 
free-floating, organizational and ’constructive’ activity that allows 
the curator to create and design new wider relations, interpretations of 
knowledge modalities of communication and systems of dissemination to 
the wider public.

http://ocradst.org/soundartcurating/
-- 
Tamar Millen
Arts Coordinator
Community Media Association
15 Paternoster Row
Sheffield
S1 2BX
0114 2795219

www.arts.commedia.org.uk